art painting reproduction

art painting reproduction
early 1950s, passed as peacetime) one had felt no particular need for that type of self-defense, and the slick nude litter of intestine and shattered blue bones, among which forks and spoons peeked out like so many pathetic metal flowers, made a crazy, insulting impact at Culver's belly, like the blow of a fist. And on the other hand (and the pulsing ache at his brow now as he vomited helplessly onto his shoes lent confirmation to what he'd been trying to deny to himself for months): he was too old, he was no longer an eager kid just out of Quantico with a knife between his teeth. He was almost thirty, he was old, and he was afraid.
Lieutenant Culver had been called back to the marines early that spring. When, one Saturday morning, his wife had thrown the brown envelope containing his orders onto the bed where he lay sleeping, he experienced an odd distress which kept him wandering about, baffled and mumbling to himself, for days. Like most of his fellow reserves he had retained his commission after the last war. It was an insouciant gesture which he had assumed would in some way benefit him in case of an all-out conflict, say, thirty years hence, but one which made no provisions for such an eventuality as a police action in Korea. It had all come much too soon and Culver had felt weirdly as if he had fallen asleep in some barracks in 1945 and had awakened in a half-dozen years or so to find that the intervening freedom, growth, and serenity had been only a glorious if somewhat prolonged dream. A flood of protest had welled up in