leonardo da vinci mona lisa

leonardo da vinci mona lisa
leonardo da vinci painting
leonardo da vinci the last supper
mona lisa painting
Mr. Murdstone and I were soon off, and trotting along on the green turf by the side of the road. He held me quite easily with one arm, and I don't think I was restless usually; but I could not make up my mind to sit in front of him without turning my head sometimes, and looking up in his face. He had that kind of shallow black eye - I want a better word to express an eye that has no depth in it to be looked into - which, when it is abstracted, seems from some peculiarity of light to be disfigured, for a moment at a time, by a cast. Several times when I glanced at him, I observed that appearance with a sort of awe, and wondered
oil painting
　 what he was thinking about so closely. His hair and whiskers were blacker and thicker, looked at so near, than even I had given them credit for being. A squareness about the lower part of his face, and the dotted indication of the strong black beard he shaved close every day, reminded me of the wax-work that had travelled into our neighbourhood some half-a-year before. This, his regular eyebrows, and the rich white, and black, and brown, of his complexion - confound his complexion, and his memory! - made me think him, in spite of my misgivings, a very handsome man. I have no doubt that my poor dear mother thought him so too.