Caravaggio Judith Beheading Holofernes paintingWilliam Bouguereau The Abduction of Psyche paintingWilliam Bouguereau the first kiss painting
behind him, and he was easily faked out of balance. All I had to fear from him was the span of his arms and the clutch of his hands, both which I found it possible to elude by ducking, feinting, and springing -- the finest arts of goatdom. The real danger was that the crowd who quickly pressed round to urge us on would take up my springing-room; this peril I minimized by the simple expedient of leading Croaker full tilt into them on every pass until they maintained a respectful distance.
"Olé!"they cheered, more enthusiastic than ever."Olé! Olé!" Never since my ill-starred tenure as Dean of the Hill had I known such applause. I curbed my exhilaration with that memory and looked before I leaped, passing under his arms, feinting here, springing there, spinning, dodging, dancing from him, and always gauging from the corners of my eyes my distance from the crowd. Five times I passed him, and a sixth, each
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